Brave, a digital painting for Illustration Friday

By The Illustrator  

My, what big teeth you have!

My, what big teeth you have!

OK, it was only last week that I was saying that all my future pictures for Illustration Friday would be exclusively spaceship based. It turns out that I couldn’t keep it up for even a month.
This weeks illustration, or the beginnings of it is a strange Victorian fantasy.

The digital sketch takes shape

My graphics tablet is working again thanks to a switch to Ubuntu and following instructions in a forum thread. Ubuntu really is a lot easier to use than the majority of Linux distributions, and it’s a great pleasure to be using my graphics tablet to do illustrations again. As usual I started by opening GIMP and doing a very rough sketch of my idea for the illustration.

More elements are added in GIMP

Then I added colours to the sketch to produce a background. So far there aren’t too many layers, just the foreground of the image (the trees), the midground and the background (the sky).

A GIMP illustration with monsters

Once I was happy with the way the scenery in my digital painting was beginning to look I added a new layer between the midground and the foreground trees, and I sketched my protagonist on it. He’s a pleasant blue-skinned Victorian creature. Then I added a layer right at the front and sketched a couple of monsters, these are the reason that my central character must be brave.

A dark woodland image with monsters

I then went back to the background levels and added more detail and made them darker, secure in the knowledge that nothing I did would effect the interesting layers with the monsters and protagonist. The changes made the image a lot darker and more atmospheric.

A blue Victorian in trouble

After working some more on the central character, here is where I am with the illustration, and as always I’m in a bit of a dilemma. Should I add a lot more detail to the image, should I sign it, is it just a bit of fun for Illustration Friday, or does it have the makings of a really good finished illustration? I have a feeling that this one has real legs, I could run and run with it, refining the monsters, looking up architectural reference for the houses of the village in the illustration, looking up reference for the digital painting of the strange blue Victorian creature’s coat.

I’m very much enjoying creating this illustration and I’m looking forward to spending a few more nights working on it. I always feel a little like Bob Ross as I give these blow-by-blow accounts of how my paintings are created.


3 Comments

  1. Posted March 7, 2010 at 7:57 am | Permalink

    Nicely done. It sets a great mood — love them sharp teeth!

  2. Posted March 7, 2010 at 6:59 pm | Permalink

    Thanks for including the steps with your illo, I always find this so fascinating. I think that the moment your illo started developing problems was when you used such heavy blacks on the previously subtle palette you had there. Digital black is such a flat, oily nothing of a colour that it sucks the life out of things around it. If you do end up doing some more to this why not lay down a few flat colours across the whole image, low saturation and low opacity to bring the tonal range up a few notches before you carry on. I think that you have a strong light source in an interesting composition, and that the largely monotone background really helps the splash of colour on the character’s face dominate the scene, but the jet black smudge that has crept over the rest of the pictorial space spoils it a little.

  3. Posted March 8, 2010 at 5:33 am | Permalink

    Great illustration.
    I really enjoy seeing how everybody works, so thanks for showing your process.

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